Cuba Plays LP:
Meet a Havana Percussionist who Cherishes his LP Bongos

Luis E. Oliveros Fonseca Our Canadian correspondent ventured to Cuba on a “musical vacation”. He returned a few weeks ago, flush with sun, sea, and music that rang out everywhere he ventured. What took him aback was the extraordinarily high level of musicianship. Whether in a club in Havana or on a tourist resort stage, he saw musicians in their teens sparring with peers in their seventies. On one bandstand, a twenty-some drummer and percussionist displayed the chops and vocabulary of ancient African rhythms, then stopped on a dime and launched into edgy funk that followed a line from Irakere through Tower of Power.

One late afternoon in Old Havana, a band was holding out at the restaurant Baturro. Playing mostly son form, they sang and performed joyously. Their instruments were not always pristine, which is the case all over Cuba. Conga heads are epoxied together with a hope and prayer.  Even more common are drumsticks patched together with duct tape, then lacquered to restore a smooth surface. Serviceable plastic heads, skins, congas, bongos, hardware, and even guitar strings (for electric bass, upright, guitar, violin, and tr?s) are rare and much sought after.

Our correspondent sat with percussionist/singer Luis E. Oliveros Fonseca (shown in photo) who reflected life and his artistic mission. Music, he said, was his life blood. Like many young Cubans, he was well trained—if not well equipped. Talk turned to gear and our correspondent mentioned bringing along a box of American-made drumsticks. Luis is primarily a hand drummer, however, and talk turned to LP. Instantly Luis broke into a smile, excused himself from the table, and returned with his bongos. “These are LP bongos,” Luis exclaimed with pride. “I purchased them in August, 1999. They are nearing their tenth birthday. They are excellent bongos, LP bongos. I have never had a problem with them in ten years and I play them every day. When you go home, please say thank you to the people at LP for making these bongos.”

All things equal, President Obama's lauded initiatives will open up Cuba and you'll get a chance to behold Cuban music first hand.  Cuban musicians, in spite of a shortage of the amenities we take for granted, play stunningly well. Hopefully there will come a day when Luis, and his many peers, will be surrounded by a set of LP Giovanni Palladium Congas, Tito Puente Timbales, and full line of LP shakers and accessories. What is heaven?

It's ironic that Cuba, owing to politics, is one of the last countries to fully enjoy LP. Cuba figures highly in our history. Martin Cohen, LP founder, got the company going when he crafted a pair of bongos to replace the fragile, jalopy instruments Cubans carried to America in the late fifties. While rickety drums are still plentiful in Cuba due to trade restrictions, elsewhere on the planet, from Memphis to Mumbai, LP is the undisputed king of percussion.